Into the white night
Apr. 25th, 2010 05:35 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I have been wanting to watch this film for a while, as it is a Korean remake of one of very well-known Japanese dramas, Byakuyako , which is an adaptation of a well-known novel. I have started the drama some month ago and loved it, but haven't finished for one reason or another.
When I heard of the film being made, I thought – good! At least when I watch the movie I will judge it on it's own merits, without constantly comparing it to the drama, and if I like the movie, I will finish the drama later.

I have watched "Into the White Night" on Friday. My feelings are uneven. It is undeniably a very beautiful, dreamy movie with gorgeous protagonists and interesting camera work: the world of the film is constructed of different shades of gray, except for the main protagonists who always wear stark black or white colours. I liked these aspects of the film, but I had some major problems with the logic of the story itself.
Main protagonists as children made the perfect sense to me: the girl was abused by the boy's father to whom she was sold by her own mother, the boy killed his father, the girl killed her mother. So far , this was a very dark story about two little children made into two killers by the people who were most close to them.
Then, they agreed to meet after the statue of limitation on the murders expires, in 15 years. This made less sense to me, but still was OK.
After that, the boy and the girl stop acting logically altogether. They live close to each other, but they don't meet, just to make it more suspicious to the police. Just few months prior to the statue of limitation expiring, one of the key witnesses in the original murder case is released out of the prison. He starts blackmailing the boy. The boy and the girl, instead of doing something sensible, like hiding (they only need to hide for another 6 months!) , conspire and the boy kills the witness, in exactly the same way he killed the father. He also doesn't bother to hide the guy's body.
After this, any further events lose any connection with logic altogether. The guy's murder is investigated; the boy and the girl have to kill more people, some of them police. Even at this point, none of these murders seem necessary. But to make the matters absolutely worse, the boy buries all the bodies in the back garden of the girl's auntie. So, eventually, when all the flowers start dying out, the bodies are easily found.
By this time, I was furious. Not in the way I was supposed to be furious, I think, but in the way "Please stop being so absolutely silly and naïve. Or die. Please". Eventually, the boy obliged and killed himself. But I was supposed to believe that the girl escaped the clutches of the police. How, do I ask? When all the bodies were buried in her auntie's back garden????
One thing I am wondering about - is the chain of events the same in the Japanese version and in the novel itself? Or were many things changed in the movie?
But the movie was very pretty,I have included some posters, they are lovely:
I have included some posters, they are lovely:






When I heard of the film being made, I thought – good! At least when I watch the movie I will judge it on it's own merits, without constantly comparing it to the drama, and if I like the movie, I will finish the drama later.

I have watched "Into the White Night" on Friday. My feelings are uneven. It is undeniably a very beautiful, dreamy movie with gorgeous protagonists and interesting camera work: the world of the film is constructed of different shades of gray, except for the main protagonists who always wear stark black or white colours. I liked these aspects of the film, but I had some major problems with the logic of the story itself.
Main protagonists as children made the perfect sense to me: the girl was abused by the boy's father to whom she was sold by her own mother, the boy killed his father, the girl killed her mother. So far , this was a very dark story about two little children made into two killers by the people who were most close to them.
Then, they agreed to meet after the statue of limitation on the murders expires, in 15 years. This made less sense to me, but still was OK.
After that, the boy and the girl stop acting logically altogether. They live close to each other, but they don't meet, just to make it more suspicious to the police. Just few months prior to the statue of limitation expiring, one of the key witnesses in the original murder case is released out of the prison. He starts blackmailing the boy. The boy and the girl, instead of doing something sensible, like hiding (they only need to hide for another 6 months!) , conspire and the boy kills the witness, in exactly the same way he killed the father. He also doesn't bother to hide the guy's body.
After this, any further events lose any connection with logic altogether. The guy's murder is investigated; the boy and the girl have to kill more people, some of them police. Even at this point, none of these murders seem necessary. But to make the matters absolutely worse, the boy buries all the bodies in the back garden of the girl's auntie. So, eventually, when all the flowers start dying out, the bodies are easily found.
By this time, I was furious. Not in the way I was supposed to be furious, I think, but in the way "Please stop being so absolutely silly and naïve. Or die. Please". Eventually, the boy obliged and killed himself. But I was supposed to believe that the girl escaped the clutches of the police. How, do I ask? When all the bodies were buried in her auntie's back garden????
One thing I am wondering about - is the chain of events the same in the Japanese version and in the novel itself? Or were many things changed in the movie?
But the movie was very pretty,I have included some posters, they are lovely:
I have included some posters, they are lovely:






no subject
Date: 2010-04-25 10:42 pm (UTC)no subject
Date: 2010-04-26 10:34 am (UTC)